'Hairy Ape Character Analysis Essay\r'

' sprint â€Å"The Hairy Ape” was done in the expressionist style of theater. Expressionism is the theatrical technique which will design the staging and setting to show the characters inner perception or the keep the theme constantly at heart the audience’s sight. In Expressionism, characters do non act or talk the way they unfeignedly would, everything is extreme to prove a layover. In Expressionism plausibleness is deliberately altered by the author to have got the theme clear.\r\nCharacters pull Yank represents the lower class. He depicts the manner in which it is the force at the provide of society that allows society to run. Yank also represents how wad can be trained and persuaded to be favourable in a situation that may not be best for their personal development and reach unable to fit in elsewhere. Yank is represent in the play as â€Å"Neanderthal” and â€Å"ape-like”, not only in his speech, but also in his physical description. Yan k and his transmitmates are initially describe as â€Å"?hairy-chested, with long arms of tremendous power, and low, go brows?” The ship’s crew is kept in constant hunched over position payable to his quarters on the ship Yank, at the root of the play is even proud of his position. Yank is so comfortable in his position that he lives in false security that he controls his surroundings. He feels that it is he who is better. He repeatedly states how it is he who makes the ship run. not even realizing that he has mentally dehumanized himself; he states that he is the ship.\r\nYank seemingly has no bang with his position, has never given it any thought and criticizes other(a) shipmates who do, until he is observed by Mildred Douglas, who proclaims upon seeing him â€Å"Oh, the awful beast”. It is at this point that Yank realizes he not simply a part adult the ship motion, he is more than an animal or creature, he is a man. He is infuriated by Mildred’s comment and seeks to prove his worth.\r\nYank’s desire to prove himself throws him into conflict; he is no longer able to fit in as he did in his prior position on the ship and finds he does not belong in society outside the ship either.\r\nDuring Yank’s moments of thought, of attempting to find himself and his position in life O’Neill depicts him in the same position as Rodin’s sculpture â€Å"The Thinker”. This particular sculpture was Rodin’s depiction of what he saw as a brutish, almost Neanderthal type man, contemplating his existence and postal service in the world, which describes Yank’s position instead well.\r\nMildred Douglas Mildred Douglas is the upper class of society. She claims sociological interest when she requests a tour of the stokehole, but does not truly consummate any kind of social work in the play. She claims herself a by-product of her wealthy society. Mildred served as a tool to bring about Yank’s personal dilemma.\r\nrice paddy Paddy is a nostalgic character. He speaks of when he was a sailor as a young man and organism at one with the sea. Paddy represents when man and nature were one. Paddy is resigned to the position he is in now, but longs for his expert old days. Yank is unable to relate to this perspective, as he views himself as part of the ships’ mechanics.\r\n presbyopic Long is a glimpse to the future; towards social change. distant Yank, Long is aware of the inhumane treatment of the ship’s stokers. He speaks of the separation of the classes and its unfairness. Long speaks of ideas such(prenominal) as the men on the ship being â€Å"voters and citizens” and how the ships crew are more than merely slaves. Yank is unable to understand Long’s point of view or his class-consciousness, instead, Yank considers him a sermoniser and a wimp.\r\n'